Genre(s): Black Metal
Label: Dark Descent Records
Rating: 8.5/10
As have many people, I have been
awaiting new material anxiously since Thantifaxath's promising first
release, their eponymous EP. Sacred White Noise
was worth the wait.
The
opener, “The Bright White Nothing at the End of the Tunnel,”
features a schizophrenic-pleasing sequence of tapped guitar that
eventually is swept clean off its feet by the undertow of a
blastbeat. The second track, “Where I End and the Hemlock Begins,”
features a chorus of chromatic descent down the fretboard. I simply
love the semi-distorted bridge, as well. The mental landscape of
“Gasping in Darkness” evokes the cover art for this album.
“Eternally Falling” is an instrumental which sort of cleanses the
palate, featuring violins being tortured at the mid-to-end-point.
“Panic Becomes Despair” is my favourite from this album. It is
the song I can relate to the most. “Lost in Static Between Worlds”
is a great closer to a wonderful album. Lately, when I haven't been
listening to Teitanblood's Death,
I've been cranking Thantifaxath.
The
whole album helps clear my mind. It runs the whole
emotional/psychological spectrum. The production is amazing as well.
If you don't listen to this through high-quality speakers, you don't
know what you're missing out on. The drumming is fantastic, the bass
is always interesting and punchy, the guitars don't rely on any sort
of chugging and the tuning is not in drop H, and yet they always
manage to keep things original. The vocals sound depraved and fit
perfectly. It's also all pretty damned complicated to pull off
successfully, as “progressive” as it is. I can't wait 'til I next see them live, just to see how well they perform the new material.
The
band members wish to remain anonymous; a noble characteristic given
what they've achieved with Sacred White Noise.
Ordinarily I shy away from prog-anything, but if you like your prog
and you like excellent Black Metal, I say give this a shot.
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